The EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA eclipses all others with the highest level of fidelity and realism. While slightly aged compared to more recent programs, it is an absolute classic program polished and refined down to the smallest detail. This eliminates the need for artificial reverb. If you are sticking to the strict orchestra sound (not really anything world music or fantasy in nature), then Symphonic Orchestra is a no brainer. I am not sure that I know the answer, but the observation is true in many respects, and recordings from the golden age of stereo continue to provide stiff competition to modern recordings. ![]() You play the flute by holding it sideways with both hands and blowing across a hole in the mouthpiece, much like blowing across the top of a bottle. A standard flute is a little over 2 feet long and is often featured playing the melody. By older people usually mean the stereo orchestral and operatic recordings made between the late 1950s and early 1970s. Modern flutes are made of silver, gold or platinum there are generally 2 to 4 flutes in an orchestra. By selecting different mic positions, users can mix these sounds together to create any kind of natural ambience their project requires. I am often asked why the older recordings are better. ![]() To achieve the feel of a live concert hall performance, each instrument and section was recorded with three mic positions, close, stage (conductor‘s position) and hall. EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA is the most awarded orchestral collection ever, including winning Sound On Sound’s Reader’s Choice Award an unprecedented 3-times, and the first orchestral collection to be recorded in a “state of the art” concert hall where orchestras mainly perform.
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